“While our conception of the sequence was fairly stock and mundane, Wall and his team created something wholly original and daring. Executive producer David Benioff praises Wall's battle-plan and credits the Santa Monica, Calif., studio for preventing disaster. He won the first Emmy in 2004 for his initial HBO project, the opening credits for Carnivale, the network’s engrossing narrative about mysterious Dust Bowl drifters. In Wall, HBO gets a talented film editor with two Oscars ( The Social Network, The Girl With The Dragon Tattoo) and two Emmys to his credit. “This is really an organic, evolving, ever-changing thing, which is one of the things that makes it really quite unique.” “Usually with title sequences there’s one, and that’s it. An impressive bit of visual trickery that make the credits unlike anything else on television-and an ambitious bit of story-telling in their own right, for the credits need to change weekly to reflect the twisting plot.
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